British Horror Cinema
By:Steve Chibnall,Julian Petley
Published on 2002 by Psychology Press
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man. Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker. Chapters include: the 'Psycho Thriller' the British censors and horror cinema femininity and horror film fandom witchcraft and the occult in British horror Horrific films and 1930s British Cinema Peter Walker and Gothic revisionism. Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
This Book was ranked at 19 by Google Books for keyword Horror.
Book ID of British Horror Cinema's Books is H21BB8SZuyQC, Book which was written bySteve Chibnall,Julian Petleyhave ETAG "+Wi2pkXlhF4"
Book which was published by Psychology Press since 2002 have ISBNs, ISBN 13 Code is 9780415230032 and ISBN 10 Code is 0415230039
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Colm Tóibín, a award-winning writer of These Get good atand Brooklyn, gets an individual's curiosity towards confusing friendships in between dads and additionally sons—exclusively a concerns from the literary the behemoths Oscar Wilde, Louis Joyce, W.B. Yeats, along with his or her's fathers. Wilde loathed their papa, despite the fact that well known that they were quite definitely alike. Joyce's gregarious papa driven his or her son via Ireland in europe on account of your boyfriend's volatile biliousness and drinking. Although Yeats's daddy, some sort of mountain lion, was basically surprisingly an ideal conversationalist in whose yak is alot more rubbed as opposed to the work the guy produced. A lot of these well-known blokes and also dads whom assisted shape them all arrive still living with Tóibín's retelling, just as Dublin's amazing inhabitants.
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