The Six Day Horror Movie
By:Michael P. DiPaolo
Published on 2004-11-04 by McFarland
When someone offered Michael DiPaolo $5,000 to help make a Digital Video horror film, he jumped at the chance to test a theory: an ultra-low budget feature, shot in less than a week, with a paid cast and crew, could be successful if meticulously planned. Using one computer and one camcorder, he produced and edited Daddy, which had its theatrical premier in New York City in 2004. This book breaks down the production through a detailed daily diary, emphasizing that the most important aspects of successful producing are careful planning and camaraderie in the group. The work covers many points important for the low-budget filmmaker, including selecting a story; budgeting; scheduling; picking cast and crew; scouting locations; finding wardrobe, food, and transportation; and what to do if you run out of time or money. Postproduction is also covered (editing, computer work, and sound design), as is the result of all this hard work: screenings, festivals, and distributors. One chapter covers the primacy of cinematic point-of-view, and another profiles some role models for the aspiring low-budget filmmaker: Edgar Ulmer, Val Lewton, Roger Corman, John Cassavetes, Ed Wood, Jr., and Jean-Luc Godard. Later chapters explain strategy and tactics of guerrilla filmmaking and show the budding filmmaker how to recognize both his limitations and his strengths.
This Book was ranked at 28 by Google Books for keyword Horror.
Book ID of The Six Day Horror Movie's Books is 1Ml-VlcNGh0C, Book which was written byMichael P. DiPaolohave ETAG "6RMpEwNsQaU"
Book which was published by McFarland since 2004-11-04 have ISBNs, ISBN 13 Code is 9780786427147 and ISBN 10 Code is 0786427140
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Colm Tóibín, this award-winning artice writer of Typically the Get better atand Brooklyn, turns her interest with the complex working relationships between fathers in addition to sons—exclusively your stress within fictional the big players Oscar Wilde, Fred Joyce, W.B. Yeats, plus their particular fathers. Wilde loathed their papa, whilst well known that they were a lot alike. Joyce's gregarious mother driven an individual's kid out of Ireland resulting from his / her volatile calm together with drinking. Even when Yeats's daddy, your puma, was initially obviously a wonderful conversationalist as their chattering was initially much more rubbed as opposed to works of art the guy produced. These types of well-known adult men as well as the fathers what people helped pattern these people arrive in for Tóibín's retelling, as do Dublin's brilliant inhabitants.
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