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Horror Films
By:Colin Odell,Michelle LeBlanc
Published on 2010-11-04 by Oldcastle Books

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Horror is one of cinema's most disreputable genres. Frequently dismissed or reviled by critics, the horror film nevertheless provides a way of confronting our fears in a safe environment. Often subject to more cuts at the hands of the censor than a serial killer's razor, the horror film is also a benchmark, a sign of what's considered acceptable for the public to view and what the state will allow its citizens to see. But for the most part horror films are about entertainment, consistently profitable, eminently enjoyable. So what makes this genre so detested and why do people pay to be scared? The Kamera Book of Horror Films will take you on a journey into the realm of fear. From horror cinema's beginnings in the late 19th century to the latest splatter films, from the chills of the ghost film to the terror of the living dead there's more than enough to keep you awake at night. There's a whole world of terror to explore -- Spanish werewolves, Chinese vampires, Italian zombies, demons from Britain, killers in America, evil spirits in Japan. This book offers a guide to key films, directors and movements. Amongst the many discussed are the popular Dracula, Frankenstein, Scream, Halloween, The Sixth Sense, Ringu and Evil Dead, and the more unusual The Living Dead Girl, Rouge, Les Yeux sans Visage, Nang Nak and Black Cat. So join us on a gruesome and terrifying journey into the world of horror but don't dawdle, the last in line is always the first to get picked off...

This Book was ranked at 17 by Google Books for keyword Horror.

Book ID of Horror Films's Books is QusxPDpC0qAC, Book which was written byColin Odell,Michelle LeBlanchave ETAG "tH+tW1R2zOA"

Book which was published by Oldcastle Books since 2010-11-04 have ISBNs, ISBN 13 Code is 9781842433843 and ISBN 10 Code is 1842433849

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Book which have "204 Pages" is Printed at BOOK under CategoryPerforming Arts

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Colm Tóibín, the award-winning novelist of Any Graspand Brooklyn, works out this curiosity in the elaborate interactions among dads and sons—particularly all the stresses within fictional leaders Oscar Wilde, Brandon Joyce, W.B. Yeats, as well as most of the fathers. Wilde loathed his / her pop, even if established that they are substantially alike. Joyce's gregarious dad or mom forced your boyfriend's kid from Ireland in europe on account of her volatile outburst in addition to drinking. Despite the fact that Yeats's mother, an important plumber, was obviously a marvelous conversationalist in whose click has been considerably more finished when compared to the works of art your puppy produced. These kinds of legendary guys additionally,the dads which made it easier contour them arrive survive found in Tóibín's retelling, just like Dublin's multicolored inhabitants.

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